Exhibition
The exhibition took place from 15 June 2018 to 14 October 2018.
The VERBUND COLLECTION, Vienna, made a guest appearance at the Art Museum in Stavanger from 15 June 2018 to 14 October 2018.
The exhibition Feminist Avant-Garde of the 1970s at the Art Museum Stavanger presents over 200 artworks to show how feminist artists of the 1970s criticised the culturally constructed image of the woman and developed a self-determined counter-proposal.
Curator:
Curated by Gabriele Schor, founding director of the VERBUND COLLECTION, Vienna, and Hanne Beate Ueland, director of the Stavanger Art Museum
Exhibition team
Theresa Dann – curatorial assistant VERBUND COLLECTION, Vienna
Julia Hürner – curatorial assistant of the VERBUND COLLECTION, Vienna
Vibece Salthe – curator at the Stavanger Art Museum
A-F
Helena Almeida | Sonia Andrade | Eleanor Antin | Anneke Barger | Lynda Benglis | Judith Bernstein | Renate Bertlmann | Dara Birnbaum | Teresa Burga | Marcella Campagnano | Judy Chicago | Linda Christanell | Lili Dujourie | Mary Beth Edelson | Renate Eisenegger | VALIE EXPORT | Esther Ferrer
G-O
Margaret Harrison | Lynn Hershman Leeson | Alexis Hunter | Sanja Iveković | Birgit Jürgenssen | Kirsten Justesen | Auguste Kronheim | Ketty La Rocca | Leslie Labowitz | Suzanne Lacy | Suzy Lake | Katalin Ladik | Brigitte Lang | Natalia LL | Karin Mack | Ana Mendieta | Rita Myers | Lorraine O’Grady | ORLAN
P-Z
Florentina Pakosta | Gina Pane | Letícia Parente | Ewa Partum | Friederike Pezold | Margot Pilz | Ulrike Rosenbach | Martha Rosler | Suzanne Santoro | Carolee Schneemann | Lydia Schouten | Elaine Shemilt | Cindy Sherman | Penny Slinger | Annegret Soltau | Betty Tompkins | Regina Vater | Hannah Wilke | Martha Wilson | Francesca Woodman | Nil Yalter
The exhibition took place from 15 June 2018 to 14 October 2018.
published by Gabriele Schor
Hardcover: 559 pages
Publisher: Prestel Verlag
Edition: 2016
Language: German
ISBN-10: 3791356275
ISBN-13: 978-3791356273
The goal of the exhibition is to highlight the pioneering achievements of the “Feminist Avant-Garde” and to re-write the canon of art history. With the help of the new media of the time, such as photography, film and video, as well as their performances and actions, these female artists deconstructed existing cultural and social conditioning, the mechanisms and automatisms of female suppression.
For the first time in art history, female artists began to jointly take “representations of women” into their own hands by creating a large number of self-determined female identities. In their works, they ask radically new questions of society, the art scene and the role of the woman. The rejection of ideas that correspond to traditional norms is the common tie between the female artists of this generation. Against the backdrop of the events of 1968, the feminist movement left its tracks with the slogan “The private is political”, which challenged the one-dimensional roles of women as mother, housewife and wife.
The female artists reveal patriarchal ideas of how a woman should lead her life and how she must look as social constructs. Astonishingly, some female artists chose strategies that were formally similar to each other, although they did not know the works of the others.
Photos: © Oddbjørn Erland Aarstad / Art Museum Stavanger