Exhibition
The exhibition took place from 4 July - 25 September 2022.
The VERBUND COLLECTION makes a guest appearance at the invitation of the photography festival Les Rencontres de la Photographie d’Arles from 4 July to 25 September 2022 in southern France.
With impressive photographs and videos by 71 female artists, the five themed sections of the show focus on the construction of womanhood and document how women artists in the 1970s created a new "image of the woman" for the first time. They condemned social inequality, patriarchal power structures and sexism.
Curator:
Curated by Gabriele Schor, founding director of the VERBUND COLLECTION, Vienna
Team of the VERBUND COLLECTION
Christina Kastner – curatorial assistant
Mara Metzmacher – curatorial assistant
A-H
Sonia Andrade | Judith Bernstein | Renate Bertlmann | Teresa Burga | Judy Chicago | Veronika Dreier | Orshi Drozdik | Mary Beth Edelson | Renate Eisenegger | VALIE EXPORT | Gerda Fassel | Barbara Hammer | Margaret Harrison
I-M
Sanja Ivekovic | Anne Marie Jehle | Birgit Jürgenssen | Anna Kutera | Auguste Kronheim | Ketty La Rocca | Katalin Ladik | Brigitte Lang | Suzy Lake | Karin Mack | Anita Münz
P-W
Florentina Pakosta | Howardena Pindell | Ingeborg G Pluhar | Lotte Profohs | Ulrike Rosenbach | Martha Rosler | Victoria Santa Cruz | Lydia Schouten | Cindy Sherman | Annegret Soltau | Anita Steckel | Gabriele Stötzer | Betty Tompkins | Francesca Woodman
The exhibition took place from 4 July - 25 September 2022.
published by Gabriele Schor
Paperback: 496 pages
Publisher: Delpire & Co
Edition: 2022
Language: French
ISBN 979-10-95821-48-9
The international exhibition "Une Avant-garde féministe des années 1970" focuses on the construction of womanhood, investigates what it means to be a woman in the 1970s, exposes stereotypes and clichés and shows how female artists radially, subversively and ironically create a whole new "image of the woman" from the woman's perspective, for the first time in the history of art. With their works, the female artists condemned social inequality, patriarchal power structures and sexism: "The personal is political!"
The show is arranged into five topics: the exclusive perception as "housewife, mother and spouse", the resulting feeling of "being locked in", the questioning of the "diktat of beauty and the presentation of the female body", the exploration of "female sexuality" and the discussion of manifold "female identities and roles".
The reference in the title to "an" (the feminine article "une") avant-garde recalls the many feminist movements in respect of nationality, culture and age. The works of the exhibition were brought together through 18 years of research work, which takes a somewhat European look at the 1970s. Many female artists at the time distanced themselves from male-dominated painting and turned to the new media of photography, video and performance.